从文本到舞台:中国当代戏剧中的“戏仿”创作方式  

From Text to Stage:Parody in China's Contemporary Drama Creation

作　　者：唐可欣 TANG Ke-xin(School of Foreign Studies,Shaanxi Normal University,Xi’an 710062,Shaanxi,China)

机构地区：[1]陕西师范大学外国语学院,陕西西安710062

出　　处：《徐州工程学院学报（社会科学版）》2023年第4期51-56,共6页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：陕西师范大学“一带一路”专项科研项目“‘一带一路’视角下的百年中俄戏剧表演模式接触研究”(21YDYLYB003)阶段性成果。

摘　　要：中国当代戏剧中存在着相当一部分“戏仿”类型的作品。这类剧作有时会在书写上将东西方故事结合在一起,形成情节的拼贴;有时对正史人物传记进行颠覆,从而实现对过去文本主题的改编;有一些也会为已有的中国经典戏剧重新塑造不一样的结局,将舞台时空扩展到更大的范围;还有一些表面上并不会更改经典戏剧文本,但在导演构思上却呈现出先锋的游戏风格。它们让戏剧文本的构思显得更加新奇,也给舞台的表演、导演艺术带去了更大的发挥空间。There are a considerable number of parody works in Chinese contemporary drama.Some of them combine Eastern and Western stories in writing to form a collage of plots or subvert biographies of historical figures to achieve adaptations of past textual themes.Some reshape the different endings of the existing Chinese classic dramas to expand the stage time and space to a larger scope.There are also some present a pioneering game style in the director's operation without change the classic drama text superficially.All of these works make the conception of the dramatic text more novel,bringing more developmental space to the directing and performing arts of the stage.

关 键 词：中国当代戏剧 戏仿 文本 舞台 

分 类 号：I207.309[文学—中国文学]