“后电影”时代:智能洞穴、数字结界与全球意识形态分析  

“The Post-Cinema”Era:Smart Cave,Digital Boundaries,and the Global⁃ization of Technological Consciousness

作　　者：万传法[1] 金澍 WAN Chuanfa;JIN Shu

机构地区：[1]上海戏剧学院,上海201112

出　　处：《上海师范大学学报（哲学社会科学版）》2023年第5期86-92,共7页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：上海戏剧学院科研项目扶持计划资助项目。

摘　　要：数字技术的发展,宣告了“后电影时代”的来临,其主要标志是电影的主体地位开始受到短视频等的强烈冲击。随着“新技术革命”的突飞猛进,以及量子理论等新理论的未来启示,后电影时代的纵深性正日益显现出来。正是基于此背景,文章从元宇宙景观化、叙事凝结化、技术意识化三个方面,详细论证了后电影时代的新特征,即:胶囊元宇宙和全域元宇宙的张力正在造成一种“智能洞穴”的新型景观政治,元宇宙电影的新型叙事渐渐趋向于一种凝结态,而叙事的凝结化则是全球技术意识化的一种缩影。毫无疑问,“后电影”正引导人类社会完成与现实的“再次分离”。The development of digital technology announced the advent of the“post-cinema era”,the main sign of which is that the main position of the movie began to be strongly impacted by short videos and others.The depth of the post-cinema era is becoming increasingly apparent with the rapid advances of the“new technological revolution”and the future revelations of new theories such as quantum theory.It is based on this background that the paper argues in detail the new features of the post-cine⁃ma era from the aspects of meta-cosmic landscaping,narrative condensation,and technological awareness.Accordingly,the ar⁃ticle further explores the new features of the post-cinematic era,namely:firstly,the tension between the capsule metacosmos and the global metacosmos is creating a new kind of landscape politics of the“smart cave”;secondly,the new narratives of the metacosmic cinema are gradually converging towards a state of condensation;thirdly,the condensation of the narratives is a kind of epitome of the globalization of technological consciousness.There is no doubt that“post-cinema”is leading human society to complete its“re-separation”from reality.

关 键 词：后电影时代 元宇宙景观化 叙事凝结化 技术意识化 

分 类 号：J901[艺术—电影电视艺术]