互文视域下唐代壁画诗与敦煌壁画之研究  

A Study of the Tang Dynasty Mural Poems and Dunhuang Mural Paintings from the Perspective of Intertext

作　　者：徐小洁 XU Xiaojie(School of Literature,Anhui University of Finance and Economics,Bengbu,Anhui 233030)

机构地区：[1]安徽财经大学文学院,安徽蚌埠233030

出　　处：《绵阳师范学院学报》2023年第9期60-71,90,共13页Journal of Mianyang Teachers＇ College

基　　金：2020年度安徽财经大学教学研究重点项目“中华优秀传统文化经典传播融入新媒体专业人才培养路径研究”(ACJYZD2020037)。

摘　　要：中国传统的诗与画有着天然的亲近感,都是反映社会生活的艺术形式,具有诗画互证的可行性。诗歌语言与绘画语言都是文本的构成要素,同时作为独立的文化符号又具有自身特定的意义与内涵。尤其是唐代壁画诗,以文字描摹画面,赋予了写实与想象的双重空间;而敦煌壁画,以绘画的物质材料与艺术结构来展现佛寺等场景,同样也赋予了写实与想象的双重空间。《全唐诗》中的壁画诗,蕴涵着能够与敦煌唐代壁画形成映照互鉴的主题思想、物象特征等要素,其中李白壁画诗以及敦煌盛唐壁画中的佛寺题材具有典范性,体现了唐代壁画诗与敦煌唐代壁画之间的互文性研究价值。There is a natural affinity between traditional Chinese poetry and painting,both of which are art forms reflecting social life and have the feasibility of mutual proof of poetry and painting.Poetry language and painting language are both elements of the text,and as independent cultural symbols,they have their own specific meaning and connotation.In particular,the mural poems of the Tang Dynasty depict the picture with words,giving the double space of realism and imagination.Dunhuang murals,which use the painting materials and artistic structure to show the scenes such as Buddhist temple,and also endow the double space of realism and imagination.The mural poems in the Complete Tang Poems contain some elements such as theme and image characteristics that can echo the Dunhuang Tang Dynasty mural paintings.Among them,Li Bai's mural poems and the Buddhist temple themes in the Dunhuang Tang Dynasty mural paintings are typical,which embodies the study value of the intertextuality between the Tang Dynasty mural poems and Dunhuang Tang Dynasty mural paintings.

关 键 词：唐代 壁画诗 敦煌壁画 李白 

分 类 号：I22[文学—中国文学]