厨房、闺阁与职场:论徐小斌小说中的女性空间  

Kitchen,Boudoir and Workplace:On the Women's Spaces in Xu Xiao-bin's Fiction

作　　者：李燕妮 LI Yanni

机构地区：[1]成都信息工程大学文化艺术学院

出　　处：《西南交通大学学报（社会科学版）》2023年第5期88-99,共12页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：国家社会科学基金项目“中国现代文学批评编年史(1907-1949)”(20BZW142);成都信息工程大学引进人才科研启动项目“中国当代文学中的‘气象书写’及其生态关怀研究”(KYTZ2022118)。

摘　　要：在徐小斌的《羽蛇》《别人》《双鱼星座》等小说中,“女性空间”或是以厨房的形式呈现,传递作家关于厨房中“巧妇何须作羹汤”的性别批判;或是以闺阁的形式呈现,传递作家关于闺阁内“重重帘幕未遮灯”的性别反思;又或是以职场的形式呈现,传递作家在求索女性职场地位的过程中“但见道路阻且长”的性别感悟。徐小斌笔下这些“以血泪作歌吟”的女性空间,破除了菲勒斯中心文化对女性话语的遮蔽与倾轧,构建起了一方张扬女性意识的晴空。徐小斌小说中女性空间的书写独具价值,它不仅以犀利的女性意识拓宽了女性空间的反思维度,而且入木三分地批判了阴阳大地上存续千年的性别文化难题。In Xu Xiao-bin's fiction“The Feathered Serpent”,“Others”and“Pisces”,the women's spaces are presented or in the form of a kitchen,to convey the writer's gender criticism on“why does a brilliant woman need to make soup”in the kitchen.Or in the form of a boudoir,to convey the writer's gender reflection on“the heavy curtain layer upon layer doesn't keep out the light”in the boudoir.Or in the form of a workplace,to convey the writer's gender realization that“but to see the road is long and obstructed”in the process of seeking women's status in the workplace.These women's spaces in Xu Xiao-bin's fiction turn women's blood or tears into songs,they break the veil and suppression to female experience and female discourse brought by patriarchal culture,and then build a clear sky to publicize women's self-consciousness.The writing of the women's spaces in Xu's fiction has a unique value.It not only broadens the dimension of reflection of women's spaces with incisive female consciousness,but also deeply criticizes the chronic problems of gender culture that has existed for thousands of years on the earth.

关 键 词：徐小斌小说 女性空间 厨房 闺阁 职场 

分 类 号：I207.42[文学—中国文学]