“游戏三昧”的禅学内涵与诗学意义  

The Zen Connotation and Poetic Significance of“Playing in the Joyous Samadhi”

作　　者：王悦 张勇[1] WANG Yue;ZHANG Yong

机构地区：[1]安徽师范大学文学院

出　　处：《西南交通大学学报（社会科学版）》2023年第5期100-112,共13页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：国家社会科学基金重点项目“历代释家文论文献集成与综合研究”(22AZW011)。

摘　　要：禅宗“游戏三昧”指禅定后精神上达到自由无碍的境界,具有无分别、圆满自足的美学意蕴。由于“游戏三昧”的禅风符合诗人追求心灵自由的审美理想,所以进入诗学理论,进而影响了诗人的创作态度,具体表现在三个方面:构思上,“游戏三昧”促使诗人突破拘执,达到挥洒自如的境界;创作风格上,“游戏三昧”推动诗人形成自然无迹、浑然天成的诗风;表达上,“游戏三昧”促使诗歌语言逐渐幽默化和通俗化。由于“游戏三昧”的大自在境界与“不可凑泊”的诗境是相通的,“游戏三昧”逐渐发展成为一个喻指诗歌奥妙诀窍的重要诗学范畴。“Playing in the joyous Samadhi”in Zen refers to the spiritual attainment of being free and unhindered after meditation,with the aesthetic implication of no differentiation and full self-satisfaction.Consistent with poets'aesthetic ideal of pursuing spiritual freedom,the Zen Buddhism style of“playing in the joyous Samadhi”was adopted as the theory of poetics and thus influenced poets'creative attitudes in three aspects.On poetic conception,it motivates poets to break through restraints.On poetic style,it promotes poets to be natural and traceless.On the expression,the language of poems is gradually humorous and popularized.The great freedom of“playing in the joyous Samadhi”is similar to the poetic realm of the unpredictable.On this basis,“playing in the joyous Samadhi”gradually developed into an important poetic category signifying the secrets of poetry.

关 键 词：禅宗 “游戏三昧” 心灵自由 诗学意义 诗歌范畴 

分 类 号：I207[文学—中国文学]