汉代郊庙歌辞禳灾谫识  

A Brief Analysis of Suburban Temple Songs of Rangzai in Han Dynasty

作　　者：钟昱彬 ZHONG Yubin(College of Literature,Chongqing Three Gorges College,Wanzhou Chongqing 404020,China)

机构地区：[1]重庆三峡学院文学院,重庆万州404020

出　　处：《重庆文理学院学报（社会科学版）》2023年第5期44-55,共12页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：重庆三峡学院文学院研究生科研创新项目“《乐府诗集》郊庙歌辞禳灾研究”(WYKC2022008)。

摘　　要：禳灾即通过特殊的仪式祛除灾祸。汉代乐府诗是中国古代诗体的代表样式,郊庙歌辞作为其中歌颂祖先、赞飨神灵的部分,还承担了禳灾表达的功能。汉代郊庙歌辞以天人感应、经学、谶纬与农本观念为文化基础,针对天文、气候、地质和生物等灾害类型表达禳灾意愿。在审美价值上,汉代郊庙歌辞继承诗乐舞结合的演绎传统,拥有绮丽的意象,晦涩的歌辞背后是巫术与宗教的内在需要,充当禳灾时统治者与神灵沟通的文字工具。Rangzai means to get rid of disaster by special ritual means.The folk-style ballads and poetry in the Han dynasty is a representative style of ancient Chinese poetry.The suburban temple songs and rituals,as part of praising ancestors and worshiping gods,also served as an expression of disaster avoidance.Based on the cultural basis of the induction of heaven and man,scripture,prophecy and the concept of agriculture,the Han dynasty suburban temple songs and rhymes expressed the will to avoid disasters in terms of astronomy,climate,geology,biology and other types of disasters.In terms of aesthetic value,Han dynasty suburban temple songs inherited the tradition of combining poetry,music and dance,and possessed elaborate imagery and obscure words,which were intrinsically needed for witchcraft and religion,and served as a written tool for rulers to communicate with the gods through Rangzai.

关 键 词：禳灾 汉代郊庙歌辞 乐府诗 祭祀 

分 类 号：I206.2[文学—中国文学]