清末滑稽小说的发生、表现与特征  

Initiation,Presentation and Characteristics of Comical Novels in the Late Qing Dynasty

作　　者：晋海学 JIN Hai-xue

机构地区：[1]河南师范大学文学院,新乡453007

出　　处：《吉林大学社会科学学报》2023年第5期224-233,240,共11页Jilin University Journal Social Sciences Edition

基　　金：河南省哲学社会科学规划项目(2022BWX011)。

摘　　要：清末滑稽小说属于新小说的范畴,是小说家基于现实危机而展开的文学叙事之一。滑稽小说的近代发生与“政治小说”的趣味性不足、游戏之文在晚清小报的大量编发以及陈景韩、吴趼人等小说家的身体力行紧密相关。在启蒙者的现代视域中,清末民众在变局中的各类不适充满了滑稽色彩,滑稽小说以此为叙述核心,表现出与古代白话小说滑稽叙事不一样的审美风貌。审美主体与审美客体之间因为知识上的差异而处于“悖离”状态,这给滑稽小说的表现方式带来很大变化,以至衍生出喧闹、反讽和复调等颇具现代意义的审美特征。Comical novels in the late Qing Dynasty belong to the category of new novels and are one of the literary narratives developed by novelists based on real-life crises.The modern initiation of comical novels is closely related to the lack of interest of the"political novels",the widespread publication of game writings in the late Qing tabloids,and the practice of the novelists such as Chen Jinghan and Wu Jianren.In the modern perspective of the Enlighteners,the various discomforts of the people in the turbulent late Qing Dynasty were full of comical colors.With this as the narrative core,comical novels exhibit a different aesthetic style from the comical narrative of the ancient vernacular novels.Due to the differences of knowledge,the aesthetic subject and aesthetic object are in a state of"deviation",which has brought about significant changes in the presentation of comical novels,and has even led to its modern aesthetic features such as bustle,irony,and polyphony.

关 键 词：清末滑稽小说 新小说 古代白话小说 

分 类 号：I207.42[文学—中国文学] K252[历史地理—历史学]