钢琴作品中东亚民歌元素的应用与分析——以《茉莉花》《樱花》《阿里郎》为例  

Application and Analysis of East Asian Folk Song Elements in Piano Works: The Cases of Jasmine, Sakura, and Arirang

作　　者：井晶 JING Jing(School of Music and Dance,Fuyang Normal University,Fuyang 236041,Anhui)

机构地区：[1]阜阳师范大学音乐舞蹈学院,安徽阜阳236041

出　　处：《阜阳师范大学学报（社会科学版）》2023年第4期131-140,共10页Journal of Fuyang Normal University：Social Science

基　　金：安徽省社会科学创新发展研究项目“‘一带一路’倡议下安徽高校音乐教育国际合作新机制的研究”(2019CX116);阜阳师范大学横向项目“中韩钢琴文化比较研究”(HX2019036000)。

摘　　要：在钢琴作品创作中,许多国家都有运用民歌元素创作的作品成为经典。东亚各国的民歌同属东方音乐,又有各自的特点,文章选取由中国、日本、韩国三首著名民歌改编的钢琴作品进行对比,通过对作品的旋律、和声、节奏的分析,理解东亚民歌元素在钢琴作品中的形式特征与差异,找寻具有东方特点的音乐语汇,论证东亚钢琴音乐中“民歌元素”的种类对世界钢琴音乐领域的填充和表现作用。In the creation of piano works,many countries have used folk song elements to create works that have become classics.The folk songs of various East Asian countries belong to Eastern music and have their own characteristics.This article compares piano works adapted from three famous folk songs from China,Japan,and South Korea.By analyzing the melody,harmony,and rhythm of the works,we understand the formal characteristics and differences of East Asian folk song elements in piano works,and search for music vocabulary with Eastern characteristics,to demonstrate the filling and expressive role of the types of folk song elements in East Asian piano music in the field of world piano music.

关 键 词：钢琴作品 东亚民歌 民歌元素 

分 类 号：J62[艺术—音乐]