创作格局、影像表达与观众共情:共同体理论视域下新世纪华语家庭伦理片研究  

Creative pattern,image expression,and audience empathy:Research on Chinese family ethics films in the new century from the perspective of community theory

作　　者：赵丽瑾 李泽林 ZHAO Lijin;LI Zelin(College of Communication,Northwest Normal University,Lanzhou 730070,China)

机构地区：[1]西北师范大学传媒学院,甘肃兰州730070

出　　处：《重庆邮电大学学报（社会科学版）》2023年第5期148-158,共11页Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)

基　　金：教育部人文社科项目:中国当代明星类型与制造机制演变研究(19YJC760163)。

摘　　要：在共同体理论视域下,21世纪华语家庭伦理片创作以实现共同利益为基础,既体现各具差异性的伦理观念与文本表达,丰富华语家庭伦理片的多元生态,又体现产业与艺术的融合汇流,共享创作经验与发展机遇。电影在多元性中寻求共同价值,在一体性中兼顾分众发展,继而形成了“多元一体”的创作格局。创作者以中华民族共有身份为纽带,在叙事上既注重映射当代中国社会发展进程以及全球化时代背景下的中国都市家庭生活,又重视对家庭问题、性别问题以及人口老龄化等当下中国社会问题的观照。在人物塑造上,通过体现“贵和尚中”“尊道贵德”“刚健有为”等传统文化品质,传递中华民族共通的信仰与价值观。电影借此呈现出“家国一体”的影像书写。通过对中华文化传统和思想情感等人文内涵的表达,契合观众传统文化心理、日常情感经验与当下审美取向,在艺术审美层面与观众广泛共情。这种文化影响力也有助于重塑内地与香港地区、台湾地区共同的历史文化经验,进而参与中华民族共同体意识的阐释与构建。From the perspective of community theory,the creation of Chinese family ethics films in the new century is based on the realization of common interests,which not only reflects different ethical concepts and text expressions,enriching the diverse ecology of Chinese family ethics films,but also reflects the integration of industry and art,sharing creative experience and development opportunities.Chinese family ethics films seek common values in diversity and balance diverse development in unity,forming a creative pattern of“diversity in unity”in the three regions across the Straits.On the one hand,the film focuses on reflecting the development process of contemporary Chinese society and the urban family life in the context of globalization,and on the other hand,it also emphasizes the observation of current Chinese social issues such as family issues,gender issues,and population aging.In character shaping,traditional cultural qualities such as“respecting harmony and balance”,“respect and value morality”,and“vigorous and promising”are reflected to convey common beliefs and values of the Chinese nation.The film presents a visual representation of“family-state unity”in these two aspects.Through the expression of Chinese cultural tradition,thoughts and feelings and other humanistic connotations,the film conforms to the audience’s traditional cultural psychology,daily emotional experience and current aesthetic orientation,and has broad empathy with the audience at the artistic aesthetic level.This cultural influence will also help to reshape the common historical and cultural experience of the Chinese mainland,Hong Kong region and Taiwan region,and then participate in the interpretation and construction of the consciousness of Chinese national community in the creation.It not only reflects the basic characteristics of the current creation of Chinese family ethics films,but also provides a type reference for the practice of eliminating regional cultural barriers,breaking through the bottleneck of ind

关 键 词：家庭伦理片 共同体理论 华语电影 多元一体 家国一体 

分 类 号：J974.3[艺术—电影电视艺术]