明万历臧改本《紫钗记》插图的文学批评解读  

Exploration of Literary Criticism on Illustrations in Zichai Ji Revised by Zang Maoxun during Wanli Period of Ming Dynasty

作　　者：杨歌 武全全 YANG Ge;WU Quanquan(College of Chinese Language and Literature,Bohai University,Jinzhou 121013,China)

机构地区：[1]渤海大学文学院,辽宁锦州121013

出　　处：《渤海大学学报（哲学社会科学版）》2023年第4期90-96,共7页Journal of Bohai University:Philosophy & Social Science Edition

摘　　要：插图作为一种依托文本语言产生的直观化言说方式,既受制于语言文字自身的“强制属性”,同时也为语言文字赋予更完整的意蕴。在叙事文本中,插图的画象通过图像隐喻的符号化功能,映射出文本内部人物的心境。以明万历臧懋循改订版本的《紫钗记》为研究对象,探讨文本与插图之间的相互关系及其在文学批评中的价值;研究问题主要集中在揭示插图和文本背后的意涵,以及它们在作品中从变化到固化的总体呈现过程;借鉴中国古代文论中“道”“象”“器”的理念对插图与文本进行综合分析,旨在展现插图在文学作品中的重要作用及其在文学批评中的价值。Based on the text,an illustration is a direct way of expression.It is limited by the text's innate attribute,and meanwhile it makes the text complete for readers to comprehend.In a narrative text,it can reflect the character's state of mind.On the basis of Zichai Ji revised by Zang Maoxun during the Wanli Period of Ming Dynasty,an exploration has been made of the mutual relationship between the text and the illustration,and the values of illustrations in literary criticism.The exploration aims to reveal the implications hidden behind the text and the illustration,and the developmental process of the two.Furthermore,by means of such images of"dao,""xiang,"and"qi"in traditional Chinese literary theory,a comprehensive analysis is made of the text and the illustration to show the important role played by an illustration in literary works and the values of illustrations in literary criticism.

关 键 词：插图 文本 图文交互 

分 类 号：I206.2[文学—中国文学]