陈白尘史剧观的核心见解及其演化成熟过程  

The Core Insights of Chen Baichen’s View on Historical Dramas and Its Evolution and Maturation Process

作　　者：伏涤修 FU Di-xiu(Research Center of Film,Television and Theatre of Zhejiang Province,Communication University of Zhejiang,Hangzhou,Zhejiang 310018)

机构地区：[1]浙江传媒学院浙江省影视与戏剧研究中心,浙江杭州310018

出　　处：《艺术百家》2023年第4期98-106,121,共10页Hundred Schools In Arts

基　　金：2020年度国家社科基金艺术学重大项目“中国戏曲历史题材创作研究”(项目编号:20ZD23)阶段性成果之一。

摘　　要：陈白尘的史剧观既有渐趋完善及自我否定的变的一面,又有一以贯之的不变追求。对于历史剧的创作模式,陈白尘经历了从早期心仪“翻案”剧、“还魂”剧到后来推重历史正剧的变化;对于历史剧的历史真实性,陈白尘经历了从早期只把历史当成史剧的外壳到后期不仅注重历史本质真实而且主张历史细节真实的变化。陈白尘一贯推重“以古鉴今”“古为今用”,始终主张历史剧要有鲜明的现实倾向性。由于注重“今用”,陈白尘并不反对在历史剧中进行适当影射;出于政治余悸和不屑于拙劣影射,他又公开申明反对影射史剧。不歪曲历史,不逃避现实,是陈白尘最核心的史剧创作追求。While Chen Baichen's view on historical dramaswas gradually improved and self-criticized,he also had consistently unchanging pursuit.Regarding the authoring mode of historical dramas,Chen Baichen has gone through changes from his early preference for"overturning"dramas and"reviving"dramas to his later emphasis on serioushistorical dramas;as for the historical authenticity ofhistorical dramas,Chen Baichen justconsidered history as the outer shell of historical dramas in the early stage.Then he changed his view by not only emphasizing the authenticity ofhistorical essence but also advocating the authenticity of historical details in the later stage.What he had not changed for decades is his consistent emphasis on"learning from the past to the present"and"making the past serve the present",by always maintaining that historical dramas should have a distinct realistic tendency.Due to his emphasis on‘serving the present",Chen Baichen did not oppose the use of appropriate allusion in historical dramas.However,due to political anxiety anddisdain for clumsy allusion,he spoke out publicly against historical allusion later.Neither distorting history nor avoiding reality,which is the core pursuit of Chen Baichen's viewon historical drama authoring.

关 键 词：陈白尘 史剧范式观 史剧真实观 史剧价值观 史剧影射观 

分 类 号：J80[艺术—戏剧戏曲]