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作 者:龙倮贵[1] LONG Luo-gui(Editorial Department,Journal of Honghe University,Mengzi 661199,Yunnan,China)
出 处:《红河学院学报》2023年第5期1-6,共6页Journal of Honghe University
基 金:云南省哲学社会科学创新团队科研项目:红河哈尼族基督教传播活动特点与问题及其对策;云南省哲学社会科学创新团队之国际哈尼/阿卡社会历史与文化研究创新团队资助项目。
摘 要:纵观哈尼族传统舞蹈,有民俗祭祈、生产劳动、民俗娱乐等三大类型,其丧舞既属于民俗祭祈类,也属于习俗娱乐类。因居住区域和支系不同,各地哈尼族传统丧舞表现形式各异,但其表现的目的和意义是万变不离其宗,既与亡灵共舞,又悼念死者;既祝愿亡灵升天之意,也劝慰生者不要过度悲伤;既劝诫生者珍惜人生,也期望死去的亲人灵魂,平安回归到祖界生活。同时,既有强烈的孝老崇祖、安抚死者亡灵、强化全民性互助关系、提供族民歌舞场所的社会功能,又有筑牢族群内聚力和向心力、族人增殖强盛的强烈蕴意及促进社会各种关系协调发展和民族文化繁荣发展的作用和意义。Among the Hani ethnic group,the funeral dance in different regions has different forms of expression.However,the purpose and significance of their expression never deviates from their ancestors.It not only exhorts the living to cherish life,but also hopes for the souls of the loved deceased to return safely to their ancestral life.At the same time,it not only has a strong social function of filial piety and reverence for the elderly,pacifying the deceased,but also has a strong meaning of strengthening the cohesion and centripetal force of the ethnic group,promoting the proliferation and prosperity of the living,promoting the coordinated development of various social relationships,and promoting the prosperity and development of national culture.
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