空间美学与沉浸体验:滇越铁路红河州段VR全景数字化呈现与传播研究  

Spatial Aesthetics and Immersive Experience:Research on the Digital Presentation and Dissemination of VR Panorama in Honghe Section of the Yunnan-Vietnam Railway

作　　者：庞守贵[1] 聂芸芸[1] 李刚存[1] PANG Shou-gui;NIE Yun-yun;LI Gang-cun(School of Journalism,Honghe University,Mengzi 661199,Yunnan,China)

机构地区：[1]红河学院新闻传媒学院,云南蒙自661199

出　　处：《红河学院学报》2023年第5期28-31,共4页Journal of Honghe University

基　　金：云南省首批国家级新文科研究与改革实践项目:基于VR+AI智慧媒体技术的文史类专业课堂教学模式改革研究与实践(2021180031);红河州第六次(2021—2022年度)哲学社会科学规划课题:滇越铁路红河州段VR全景数字化呈现与传播研究(2021YB17)。

摘　　要：虚拟现实技术的不断优化升级使得人类从传统的语言叙事转向视觉呈现,全息的技术媒介突破了屏幕空间和影像空间的局限,拓展了媒介作用于感官的深度与广度,改变了人们信息识读的方式(沉浸式阅读)。基于新的媒介背景,“VR+文化”应用模式正在表现出巨大的文化潜力和商业价值,沉浸式的感官体验与全息的空间建构功能给滇越铁路红河州段的数字化呈现和传播带来全新面向的同时,也给滇越铁路文化遗产的留存与保护带来了新的视点。The continuous optimization and upgrading of VR technology has made human beings shift from traditional language narrative to visual presentation.Holographic technology media has broken through the limitations of screen space and image space,expanded the depth and breadth of media acting on the senses,and changed the way people read information(immersive reading).Based on the new media background,the application mode of VR+culture is showing great cultural potential and commercial value.The immersive sensory experience and holographic spatial construction function bring a new perspective to the digital presentation and dissemination of the Honghe section of the Yunnan-Vietnam Railway,and also bring a new perspective to the preservation and protection of the cultural heritage of the Yunnan-Vietnam Railway.

关 键 词：VR虚拟技术 滇越铁路 空间美学 文化保护 

分 类 号：G202[文化科学—传播学]