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作 者:夏源 XIA Yuan(School of Humanities,Kunming University,Kunming 650214,Yunnan,China)
出 处:《红河学院学报》2023年第5期102-105,共4页Journal of Honghe University
摘 要:明末清初,云南遗民陈佐才以代表中国文化精神和艺术传统的陶渊明、杜甫、王维等诗人为模范进行创作。他从人格品性、创作主题、艺术风格三个维度紧紧靠拢中国传统士大夫的生活情趣、文化理念和文学审美好尚,体现出边疆文人对中原文化的认同。其诗歌推动云南地方文学与中原主流文学的交融,促进中原文化在云南地区的传播,可谓明代云南汉文学发展的表现。At the end of the Ming Dynasty and the beginning of the Qing Dynasty,Chen Zuocai,a remnant of Yunnan,took Tao Yuanming,Du Fu,Wang Wei and other poets who represented the Chinese cultural spirit and artistic tradition as models.From the three dimensions of personality,creative theme and artistic style,he closely approached the life interest,cultural concept and literary aesthetic taste of traditional Chinese literati,reflecting the recognition of border scholars to the Central Plains culture.His poems promoted the integration of Yunnan local literature and the mainstream literature of the Central Plains,and promoted the spread of the Central Plains culture in Yunnan,which can be described as the performance of the development of Yunnan Han literature in the Ming Dynasty.
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