埃尔诺“私人写作”中的女性话语  

Female Discourse in the Private Writing of Annie Ernaux

作　　者：张璐 Zhang Lu(European Language and Culture Institute,Guangdong University of Foreign Studies,Guangzhou,Guangdong Province,China)

机构地区：[1]广东外语外贸大学西方语言文化学院,广东广州510420

出　　处：《外国文学》2023年第5期38-48,共11页Foreign Literature

摘　　要：2022年诺贝尔文学奖得主安妮·埃尔诺以其“具有社会维度的自传”和“非个人自传”而闻名,更因其偏重女性话题的“私人写作”而受到热议。本文聚焦埃尔诺“私人写作”的几部代表作,梳理其创作理念和叙事技巧,分析其作品中感性、流动、多元的女性话语特征,进而阐明作者如何赋予文字以“感性”,并运用语言艺术从“可感”走向“可知”,从个人走向大众;本文还借助福柯的话语理论揭示埃尔诺女性话语的“倒置”性特征,即反转主流话语、挑战文学传统、争取女性自由的创作追求。Annie Ernaux,laureate of the Nobel Prize in Literature in 2022,is renowned for her""auto-social-biography"and"impersonal autobiography,"and has been hotly discussed for her"private writing"that focuses on women's topics.This article focuses on several representative works of Ernaux's"private writing,"'sorts out her creative philosophy and narrative techniques,analyzes the female discourse characteristics in her works with the features of sensibility,fluidity and polyphony,and further explains how she uses a language art to go from"sensibility"to"intelligibility,"from the individual to the public.This article also uses Foucault's discourse theory to reveal the"reversing"characteristics of Ernaux's female discourse.

关 键 词：埃尔诺 私人写作 女性话语 倒置话语 

分 类 号：I565[文学—其他各国文学]