雅各泰《绿意册》中的植物诗学  

On the Phytography in Philippe Jaccottet's Cahier de verdure

作　　者：苑宁 Yuan Ning(Faculty of French and Francophone Studies,Beijing Foreign Studies University,Beijing,China)

机构地区：[1]北京外国语大学法语语言文化学院,北京100089

出　　处：《外国文学》2023年第5期81-91,共11页Foreign Literature

摘　　要：植物主题贯穿瑞士法语作家菲利普·雅各泰的整个创作生涯,他于植物世界中洞见了一种超越人类文明的智慧和乌托邦式的生存境况。在《绿意册》这部颇具实验性的作品集中,雅各泰的植物诗学臻于圆熟且展现出多个面向:诗人不仅尝试再现人类与植物发生刹那感应的过程,追问这一精神交流何以成为可能,且从本体论层面叩问植物如何以身垂范昭示人类栖居大地之道,另外还在语言学层面试图打通“人言”与“物语”,从而形成文体杂糅的笔触风貌和“片语-种子”这一写作策略。雅各泰的植物书写超越了传统的生态文学,与同时代的法国诗人蓬热、多泰尔、茹尔当等人构成一个某种意义上的“新植物写作共同体”。The Plant theme runs through the entire literary career of the Swiss francophone poet Philippe Jaccottet,who perceives the wisdom transcending human civilization and the utopian living status in the world of greenery.A quite personal"plant poetics"has taken shape in his Cahier de verdure:the poet attempted to represent the moments of spiritual exchanges with plants and to enquire ontologically the lessons drawn from the green world with respect to ways of humanity dwelling on the earth.In addition,his efforts to build bridges between the speech of man and the language of things lead to a new stylistic aesthetic,which is the cohabitation of different genres and the strategy of"notes-graines."Going beyond the traditional"pastoral literature,"Jaccottet's phytography becomes a part of a"new phytography community"with his contemporaries such as Francis Ponge,Andre Dhotel,and Pierre-Albert Jourdan.

关 键 词：雅各泰 《绿意册》 植物书写 生态批评 碎片化书写 

分 类 号：I522[文学—其他各国文学]