百年中国电影英雄形象的塑造和典型问题  

Hero Image Shaping and Prototype Theory in Chinese Films During One hundred Years

作　　者：丁亚平 DING Ya-ping(Film Academy,Shanghai Theatre Academy,Shanghai 200040)

机构地区：[1]上海戏剧学院电影学院,上海200040

出　　处：《陕西师范大学学报（哲学社会科学版）》2023年第4期130-137,共8页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金艺术学重大项目“创建人类文明新形态视域下的国家战略性影像创作与传播研究”(23ZD06)。

摘　　要：中国电影即时地反映现实人生,真切地表现时代精神,在艺术上独具特色。塑造生动鲜明的英雄形象,是电影创作中的核心命题。近年来,中国电影以多维方式塑造具有典型性的人物形象,且在不断追求变化和创新的艺术观点指导下,创造出了日趋丰富多彩的英雄形象,可谓收获颇丰。从电影发展史的角度,在缤纷光影中辨别不同历史发展阶段的艺术观念,思考作为“熟悉的陌生人”的英雄形象的塑造和“典型论”理论内涵的不断丰富的过程,并对其所传达的情感、思想做出新的读解和阐释,无疑具有一定的学术价值和意义。Realistic life is reflected in Chinese films which is artistically characteristic in real time,together with a reflection of the spirit of the times.Film creation is focused on shaping vivid heroes.Typical characters are shaped from multiple dimensions.One major recent harvest of Chinese films is represented by the creation of increasingly diverse heroic images in the pursuit of change.It is of great value to reinterpret connotations of heretical heroes and feelings and thoughts intended to be expressed by such heroes by distinguishing various colors from the colorful light and shadow and pondering over the hero image shaping of“familiar strangers”and mysterious existence of art prototype theory from a different perspective.

关 键 词：中国电影 英雄形象 典型论 

分 类 号：J912[艺术—电影电视艺术]