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作 者:徐永双 XU Yongshuang(Shandong University of Art&Design,Jinan 250014,China)
出 处:《西部皮革》2023年第18期143-145,共3页West Leather
摘 要:中国少数民族服饰是中国传统文化的一部分,堪称人类文化的“活化石”。其中满族服饰经过不断变迁,形成其独特的审美语言。图案既是服装最重要的表现手法,也是人们精神世界物化的外在表现,反映出当时人们对自然的崇拜。通过图案符号和色彩的寓意,表现出情景交融、天人合一之美。满族服装在艺术创造的过程中,蕴含着满族人的精神、思想和审美,它是一种特殊的语言。文章通过对满族服装的艺术语言进行分析,研究满族服装图案艺术的审美特征和文化内涵。The clothing of Chinese ethnic minorities is a part of Chinese traditional culture,which can be called a "living fossil" of human culture.As one of the traditional Chinese costumes,Manchu clothing has formed its unique aesthetic language through constant changes.The patterns are not only the most important expression of clothing,but also the external manifestation of people's spiritual world,reflecting people's worship of nature at that time.Through the meaning of pattern symbols and colors,it shows the beauty of the integration of scenes and the unity of heaven and man.In the process of artistic creation,Manchu clothing contains the spirit,thought and aesthetics of the Manchu people.It is a special language.Through the analysis of the artistic language of Manchu clothing,this article studies the aesthetic characteristics and cultural connotation of Manchu clothing pattern art.
分 类 号:TS941.12[轻工技术与工程—服装设计与工程]
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