基于《御制耕织图》的重构:康熙五彩耕织图瓶的空间塑造  

Refactoring of the Kangxi Poetry with Pictures of Farming and Weaving:Space Shaping of Kangxi Multicolored Farming and Weaving Vase

作　　者：成珊珊 CHENG Shanshan(Jingdezhen University,Jingdezhen 333400,Jiangxi,China)

机构地区：[1]景德镇学院,江西景德镇333400

出　　处：《景德镇学院学报》2023年第4期28-32,共5页Journal of JingDeZhen University

基　　金：江西省高校人文社会科学研究项目(YS21207)。

摘　　要：康熙五彩耕织图瓶作为清代创作五彩瓷器中一件具有明显写实风格的艺术佳作,不仅生动地表现出了耕织劳动过程中的情景,更突显出清廷对农业发展与汉文化的高度重视,这也使得其图像在装饰的基础上被赋予了更多的内涵。虽然其图式源自于焦秉贞的《御制耕织图》,但载体的不同必然会导致艺术效果的迥异,特别是基于媒介对画面表现的限制,使得其营造出了别于原作的空间意蕴。为后人展示康熙时期御窑精湛古彩技艺的同时,又呈现出当时人伦思想下的多重社会表征。As a fine art work with obvious realistic style in the creation of colorful porcelain in the Qing Dynasty,Kangxi Multicolored Farming and Weaving Vase not only vividly shows the scenes of ploughing and weaving,but demonstrates the Qing court's high attention to agricultural development and Han culture,which also makes its images endowed with more connotation except for its decorating function.Although its picture patterns are derived from Jiao Bingzhen's Kangxi Poetry with Pictures of Farming and Weaving,it produces different artistic effects due to the difference of the carrier.In addition,because of the media's restrictions on picture expression,it creates a different spatial implication from the original work,which presents multiple social representations under the thought of human relations at that time while displaying the exquisite ancient color techniques of the imperial kiln in the Kangxi period for future generations.

关 键 词：康熙五彩耕织图瓶 耕织图 空间 

分 类 号：J527[艺术—艺术设计]