经典化、去经典化与再经典化——南社革命诗歌的经典化建构历程  

Canonization,De-Canonization and Re-Canonization:The Canonical Construction of Nanshe’s Revolutionary Poetry

作　　者：戴惠[1] 王子媛 DAI Hui;WANG Zi-yuan(Xuhai College,China University of Mining and Technology,Xuzhou,Jiangsu 221008;College of Humanities and Arts,China University of Mining and Technology,Xuzhou,Jiangsu 221116)

机构地区：[1]中国矿业大学徐海学院,江苏徐州221008 [2]中国矿业大学人文与艺术学院,江苏徐州221116

出　　处：《汕头大学学报（人文社会科学版）》2023年第2期5-14,94,共11页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：江苏省高校哲学社会科学研究重大项目“二十世纪中国现代政治抒情诗的接受与传播”(2021SJZDA102)。

摘　　要：南社(1909—1923),近代最大的革命文学团体。在社团活动的十几年间,以柳亚子、高旭、陈去病为代表的众多社员创作了大量激情澎湃的革命诗歌。这些诗歌自问世迄今,经历了经典化(20世纪初)、去经典化(五四时期)以及再经典化(新时期以来)三个阶段,而每一个阶段都是由时代语境、传播场域、接受场域三者共同作用所产生的结果。Nanshe(1909-1923)was the largest revolutionary literary group in modern times.It was active for more than ten years,during which time many members,for instance,Liu Yazi,Gao Xu,and Chen Qubing,wrote a large number of passionate revolutionary poems.Since their creation,these poems have gone through three stages,that is,canonization(early 20th century),de-canonization(May Fourth period),and re-canonization(since the New Period),and each stage was produced by the co-working of the time,dissemination field,and reception field.

关 键 词：南社 革命诗歌 经典化 

分 类 号：I207[文学—中国文学]