状形主意——刍议王履绘画思想的成因  

Use Form to Express Meaning-Rumination on the Causes of Wang Lv's Painting Ideology

作　　者：陈恩威 陈祥云[1] CHEN EN-wei;CHEN Xiang-yun(Qiqihar University,Qiqihar Heilongjiang 161005,China)

机构地区：[1]齐齐哈尔大学,黑龙江齐齐哈尔161005

出　　处：《齐齐哈尔师范高等专科学校学报》2023年第4期68-70,共3页Journal of Qiqihar Junior Teachers College

摘　　要：“形意观”是中国传统画论中的重要范畴,王履的诸多理论对于山水画的创作实践、美术批评都具有重要的指导性,并对后世山水画的发展产生了深远的影响,其文章《重为华山图序》将“状形主意”的形意观与山水画创作方法相结合,开创了纪游山水的新篇章。本文主要通过分析医学与纪游的实践经历和理学的影响三个方向探讨王履绘画思想的成因。The concept of form and meaning is an important category in traditional Chinese painting theory,and many of Wang Lv's theories are important guides for the practice of landscape painting and art criticism,and had a profound impact on the development of landscape painting in later generations.His essay"Preface to the Recreation of Mount Huashan"combines the concept of"shape and form"with the method of landscape painting,creating a new chapter in the discipline of landscape painting.The article discusses the causes of Wang Lv's painting ideas by analyzing three directions:medicine practice,travel practice and the influence of Neo-Confucianism.

关 键 词：山水画 形意观 绘画思想 

分 类 号：J205[艺术—美术]