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作 者:褚宏福 刘乐君 CHU Hongfu;LIU Lejun(Jingdezhen Ceramic University,Jingdezhen 333400,China)
机构地区:[1]景德镇陶瓷大学,景德镇333400
出 处:《中国陶瓷》2023年第9期96-101,107,共7页China Ceramics
摘 要:访贤图像在明清陶瓷中大量出现,因其既展现了帝王礼聘贤士的高尚品格,又蕴含着受聘入世、一展抱负的美好愿景,而受到社会大众的喜爱。同时来自中国画、民间版画、小说也为瓷器图像提供了丰富的借鉴。本文以瓷上“文王访贤图像”为线索,通过探究其来源、图式的借鉴与强化和图像中主体人物形象、符号元素、叙事情节来分析其设计特征,为陶瓷人物故事图像的解读提供些许思路。The images of visiting sages appeared on porcelains of the Ming and Qing Dynasties in large scale and were popular among the folks.The images displayed not only the the emperor’s noble character of inviting sages to help with national affairs,but also sages’ambitions of serving countries with their talents.At the same time,porcelain images were greatly inspired by the Chinese paintings,folk prints and novels.With the“image of King Wen of Zhou visiting sages”on porcelain as a clue,this paper makes analysis of their design characteristics by probing its origins,studying the reference and reinforcement of the schema,the images of the main characters,symbol elements and narrative plot.This paper hopes to cast light on the interpretation of the figure story images on ceramics.
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