戴萨特的身份之“失”——《伊库斯》中悲剧人文主义精神的现代性重建  

Dysart's loss of identity:A modernistic reconstruction of humanistic spirit in tragedy in Peter Shaffer's Equus

作　　者：王一诺 吕春媚[1] WANG Yinuo;LYU Chunmei(School of English Studies,Dalian University of Foreign Languages,Dalian 116044,China)

机构地区：[1]大连外国语大学,辽宁省大连市116044

出　　处：《外文研究》2023年第3期76-81,109,共7页Foreign Studies

基　　金：2021年度辽宁省社会科学规划基金项目(重点项目)“当代美国非裔戏剧中种族困境的数字人文研究”(L21AWW002);2020年度辽宁省高等学校创新人才支持计划。

摘　　要：英国剧作家彼得·谢弗的代表作《伊库斯》是一部弥散浓厚悲剧色彩的戏剧。国内外学界多聚焦于对主人公少年艾伦悲剧式成长经历的阐述,但是对于该剧的次要人物医生戴萨特,并未给予充分关注和深入讨论。戴萨特充满悲剧性的一生既展现了剧作家的悲剧意识和悲剧叙事,又是当代英国社会游离于纯粹的生存自由与复杂的社会关系中迷茫群体的缩影。本文借助弗洛伊德精神分析,分析戴萨特的身份迷失、身份缺失和身份遗失的过程,探究剧作家如何借助这一悲剧人物的身份之“失”,书写现代社会人类面对的整体性悲剧,实现悲剧人文主义精神的现代性重建。Peter Shaffer's Equus is a play with a strong sense of tragedy.The previous studies have fo⁃cused on the tragic upbringing of the main character,Alan.However,not enough attention or discussion has been given to the secondary character,Dysart.Dysart's tragic life is a reflection of playwright's sense of tragedy and tragic narrative,and also a microcosm of contemporary British society which is at a loss between the freedom of existence and the complexities of social relations.From the perspective of Freudian psychoanalysis,this article examines the three stages of identity loss experienced by Dysart and explores how Peter Shaffer presents the tragedy faced by human beings in modern society from Dysart's loss of identity and reconstructs the modernity of humanism in tragedy.

关 键 词：彼得·谢弗 伊库斯 戴萨特 弗洛伊德 悲剧性 

分 类 号：I106[文学—世界文学]