戏剧魔方:迭代·越界·融文化——罗锦鳞戏剧生涯思考  

Drama as a Magic Cube:Iterative,Transboundary and Intercultural--A Reflection on Luo Jinlin's Drama Career

作　　者：吴戈 Wu Ge

机构地区：[1]云南省戏剧家协会

出　　处：《戏剧（中央戏剧学院学报）》2023年第4期44-58,共15页Drama:The Journal of the Central Academy of Drama

摘　　要：文化钟灵毓秀,戏剧奇妙魔方。在老当益壮的罗锦鳞教授的舞台艺术创作中有十六个古希腊剧目,其中十四个悲剧,两个喜剧。其中三个悲剧剧目演出,是以河北梆子、评剧的形式“西剧中演”的,在国际国内产生了广泛影响。“迭代”的家学渊源让他自带光环、“迭代错杂”的学习经历又给他不一般的加持,让他从话剧导演走向用中国戏曲演绎古希腊戏剧的“越界”和“融文化”,成为中国当代戏剧文化交流导演阵容中成绩卓越的重要成员。Cultures are rich with beauty and talent,while drama is akin to a magical puzzle.Among Luo Jinlin's stage productions of sixteen ancient Greek plays,consisting of fourteen tragedies and two comedies,three tragedies were performed in the form of Hebei Opera and Pingju Opera,leaving a profound impact both domestically and internationally.His familial background,characterized by a sense of self-importance,coupled with his diverse and extensive learning experiences,has enabled him to transition from being a director of Chinese modern drama to becoming a prominent figure in producing ancient Greek drama through the medium of Chinese opera.This"transboundary and intercultural"approach has set him apart from other directors dedicated to contemporary Chinese theater and cultural exchange,resulting in remarkable achievements.

关 键 词：国际戏剧文化交流 罗锦鳞 迭代 越界 融文化 

分 类 号：J81[艺术—戏剧戏曲]