改编与爱尔兰身份重塑——以玛丽娜·卡尔改编欧里庇得斯悲剧为例  

Adaptation and reshaping Irish identity:Marina Carr's Adaptation of Euripides'Tragedy

作　　者：祁亚平 Qi Yaping

机构地区：[1]安徽工业大学外国语学院外语系

出　　处：《戏剧（中央戏剧学院学报）》2023年第4期157-171,共15页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金一般项目“20世纪爱尔兰经典剧目改编与国家认同研究”(项目编号:21BWW060)的阶段性成果。

摘　　要：爱尔兰剧作家们长期并一直以改编古希腊悲剧来重塑爱尔兰身份。当代爱尔兰女剧作家玛丽娜·卡尔从女性视角出发,以改编欧里庇得斯悲剧为媒介,为重塑爱尔兰身份探寻新路径。《猫原边……》以《美狄亚》为叙述框架,揭示爱尔兰“她者”的生存困境与声音。《爱丽儿》基于对《在奥利斯的伊菲革涅亚》的重述,试图将爱尔兰女性从父权社会中解救出来,进而解构“母亲-爱尔兰”神话。在《赫卡柏》同名悲剧改编中,卡尔以复调叙事为赫卡柏获得自我救赎创造阈限空间。总体而言,卡尔对欧氏悲剧进行女性主义改编,以杂糅文本的形式凸显改编过程的叠刻性和互文性,拓展了改编概念的内涵与外延,诠释了改编对爱尔兰身份重塑的推动作用,也为跨文化改编研究提供了有力佐证。Irish playwrights have been and are still reshaping their identities through adaptations of Greek tragedies.Taking a feminist perspective,contemporary Irish playwright Marina Carr adapts Euripides'tragedy to open up new possibilities for reshaping Irish identity.By the Bog of Cats..,a modern Irish version of Medea,lays bare the living dilemma of Irish female Other.Ariel,based on the retelling of Iphigenia at Aulis,is meant to release Irish women from patriarchal restraints,and thus deconstructs"Mother Ireland"myth.In her adaptation of Hecuba,Carr adopts the narrative device of polyphony to Create a liminal space for Hecuba to achieve selfredemption.It is argued that Carr's feminist adaptations of Euripides'tragedy serve as hybrid texts to highlight intertextuality and palimpsestuousness of the process of adaptation.Her practice of adaptation justifies the role that adaptation plays in reshaping Irish identity,redefines the concept of adaptation,and serves as a telling case for cross-cultural adaptation studies.

关 键 词：卡尔 欧里庇得斯 改编 爱尔兰身份 

分 类 号：J83[艺术—戏剧戏曲]