论真与诚:羞耻的表征与操控——雪莱《钦契恨歌》中欲言又止的沉默  

On Truth and Truthfulness:Representation and Manipulation of Shame through Reticence in Shelley’s Cenci Beatrice

作　　者：李丹云 LI Danyun(School of English Studies,Sichuan International Studies University,Chongqing 400031,China;Foreign Languages Department,Hainan Medical University,Haikou,Hainan 571199,China)

机构地区：[1]四川外国语大学英语学院,重庆400031 [2]海南医学院外语部,海口571199

出　　处：《安徽理工大学学报（社会科学版）》2023年第4期47-54,共8页Journal of Anhui University of Science and Technology:Social Science

基　　金：国家社科基金重大项目:认知诗学研究与理论版图重构(20&ZD291);四川外国语大学2022年度研究生科研创新重点项目:西方文学研究中的情感历史主义(SISU2022YZ004)。

摘　　要：随着人文学科研究“情感转向”的发展和深入,学者们日益关注某些微妙情感在文学作品中的表达和阐释。文章基于情感理论和威廉斯关于“真理与真诚”“羞耻与必然性”之间关系的论述,对雪莱剧作《钦契恨歌》女主人公碧娅瑞丝羞耻情感的表征及其对他人的操控进行了探讨,揭示她自欺行为背后的情感动机及产生的效果,试图说明文学作品中的羞耻情感或许会造成伦理诠释的模糊性。在此基础上,文章进而提出提高情感审美功能是文学情感批评研究的关键任务之一,而完成这个任务尤其需要建立敏感的情感符号批判性语言。With the development and deepening of the “Affective Turn” in humanities studies,researchers pay increasing attention to the expression and interpretation of some subtle emotions in literary works.This paper analyzes the representation and manipulation of the heroine Beatrice's shame,and discusses the emotional motivation and effect behind her self-deception,aiming to explain that shame in literary works may cause the ambiguity of ethical interpretations.On this basis,this paper further points out that improving the aesthetic function of emotion is one of the key tasks in the study of literary emotion criticism,and to accomplish this task,it is especially necessary to establish sensitive critical language of emotion symbols.

关 键 词：真与诚 羞耻 表征 操控 钦契恨歌 

分 类 号：I106[文学—世界文学]