从“符号”到“真人”——中国动画电影中父亲形象塑造演变研究  

From"Symbolic"to"Vivid":Evolution of Father Figure in Chinese Animated Films

作　　者：彭馨仪 殷俊 PENG Xinyi;YIN Jun(Jiangnan University,Jiangsu Wuxi 214122,China)

机构地区：[1]江南大学,江苏无锡214122

出　　处：《工业工程设计》2023年第5期19-24,51,共7页INDUSTRIAL&ENGINEERING DESIGN

基　　金：国家社科基金艺术学重点项目资助(20AC003)。

摘　　要：在人类文化的传承中,父亲形象有其特殊的象征意义,不仅指具体的人,更是一个文化符号。在中国动画电影中,父亲形象的演绎一直与社会主流文化和价值观念挂钩,伴随其变迁而演变。从早期的中国动画电影中象征权威与秩序的符号化的“霸权式”父亲,到温柔智慧的“理想化”父亲,到顺应时代观念变化下而出现的“窝囊废”父亲,再到如今传统两性观念被打破的局面下,变得更加鲜活与个性化的父亲,其形象的演变,映射了时代发展下大众对于父亲形象内在的认知与情感的转变。In the inheritance of human culture,the father figure owns its special symbolic meaning,not only referring to a specific group of people,but also representing a cultural symbol.In Chinese animated films,the interpretation of the father figure has always been tightly bound with the mainstream culture and values of the society,and is evolving along with their transition.From the symbolic"hegemonic"father who symbolizes authority and order in early Chinese animated films,to the"idealized"father with tenderness and wisdom,then to the"wimpy"father that emerges in response to the changing concepts of the times,and finally to the present father who has become more vivid and diverse thanks to the breaking down of the traditional stereotype of gender,the evolution of the father figure represents the transition of the public cognition and emotion towards it with the development of the times.

关 键 词：中国动画 父亲形象 演变 

分 类 号：J218.7[艺术—美术]