城乡空间中的第三性——论阎连科《她们》女性群像书写  

The third sex in urban and rural space On Yan Lianke s writing of female group portraits in They,the Women

作　　者：罗璇 LUO Xuan(College of Literature and Journalism,Baoji University of Arts and Sciences,Baoji 721013,Shanxi,China)

机构地区：[1]宝鸡文理学院文学与新闻传播学院,陕西宝鸡721013

出　　处：《河南理工大学学报（社会科学版）》2023年第5期91-99,共9页Journal of Henan Polytechnic University:Social Sciences

基　　金：宝鸡文理学院科研创新项目(YJSCX20YB14)。

摘　　要：女性生存环境更迭、女性类型多元化与女性“性别”冲突是阎连科《她们》女性群像书写的重要组成部分。基于此,《她们》得以真实还原上世纪中后期中原乡村女性的命运轨迹。其中,女性群像展示是作品的肌理,中原传统文化对女性的精神品质建构、伦理糟粕对女性的残害是作品之骨骼。阎氏“第三性”女性观的提出,对读者把握中原乡村女性精神面貌和作家叙事策略起到引导作用。The change of women’s living environment,the diversity of female types and the“gender”conflicts of women are important parts of the writing of female group portraits in Yan Lianke’s They,the Women.Based on this,They,the Women can truly depict the fate of women in the rural areas of Central Plains in the middle and late 20th century.Among them,the display of female group portraits is the texture of the work,and the construction of the spiritual quality of women by the traditional culture and the harm of ethical dross to women are the skeleton of the work.The proposal of Yan’s“third sex”from the female perspective plays a role in guiding readers to grasp both the spiritual outlook of rural women in the Central Plains and the narrative strategy of the author.

关 键 词：阎连科 她们 女性书写 城乡空间 第三性 

分 类 号：I207.67[文学—中国文学]