当代大众媒介建构下的鲁迅改编——以互联网创作为例  

Adaptation of Lu Xun’s works under the construction of contemporary mass media:taking Internet creation as an example

作　　者：徐君 XU Jun(College of Humanities,Zhejiang Normal University,Jinhua 321004,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《浙江师范大学学报（社会科学版）》2023年第5期60-67,共8页Journal of Zhejiang Normal University(Social Sciences)

摘　　要：随着数字技术和互联网的发展,区别于传统媒介的建构,以互联网创作为代表的鲁迅改编融合了当代大众文化、流行文化和青年文化,由此呈现出了新的形态和特征。媒介文化研究者劳伦斯·格罗斯伯格的接合理论为理解当代大众媒介建构的内在逻辑提供了学理性视角。当代大众媒介建构中的鲁迅改编在与当代社会经济、技术、文化的接合过程中,以解构和建构的方式,在现实和作品之间找到了一种平衡,从而使人们在认识、理解和阐释新作品的过程中,获得了情感上的共鸣和共同的文化身份认同。With the development of digital technology and the Internet,different from the construction of traditional media,adaptation of Lu Xun’s works,represented by the Internet creation,integrates contemporary mass culture,popular culture,and youth culture,which shows new forms and features.Lawrence Grossberg,a scholar in media culture research,has a theory of articulation,which provides an academic theoretical per-spective to understand the internal logic of contemporary mass media construction.The adaptation of Lu Xun’s works in the construction of mass media has reached a balance between reality and works through deconstruc-tion and construction in the process of integrating with contemporary social economy,technology,and culture.It has enabled people to gain emotional resonance and common cultural identity in their cognition,understand-ing,and interpretation of the new works.

关 键 词：鲁迅改编 互联网创作 劳伦斯·格罗斯伯格 媒介文化 

分 类 号：I210.96[文学—中国文学]