诗画共建共享:唐寅“女几山图”的创作与传播  

Co-construction and Sharing of Poems and Paintings:Tang Yin's Creation and Dissemination of Nvji Mountain Paintings

作　　者：杨燕 YANG Yan(School of Fine Arts,Nanjing University of The Arts,Nanjing,Jiangsu 210013,China)

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《保定学院学报》2023年第5期68-75,共8页Journal of Baoding University

基　　金：国家社会科学基金艺术学重大项目“中国传统美术的当代复兴研究”(21ZD23)阶段性研究成果。

摘　　要：诗画同体是中国传统文人画的一大特点。明中叶,文人文化的泛化与世俗文化的兴盛同步,使得这一时期的诗画同体呈现出独特的风貌。唐寅诗、书、画兼善,绘画作品多有题诗,具备“诗画一律”的自觉。分析“女几山图”的诗画关系,可以发现唐寅绘画创作过程中借助诗画互补以完成画面构建,同时通过诗意物象和诗意人物的选取与运用丰富画面形象。在传播学视域下,作为传播者的唐寅虽具文人画家素养却以鬻文卖画为生,故其绘画实践又带有职业性,诗画同体有助于其画作的传播与接受,诗画关系在接受过程中因观者全身心的参与而达至统一。The integration of poetry and painting is a major feature of traditional Chinese literati paintings.In the middle of the Ming Dynasty,the generalization of literati culture and the prosperity of secular culture synchronized,making the integration of poetry and painting in this period present a unique style.Tang Yin was good at poetry,calligraphy and painting.Most of his painting works had been inscribed poems.Tang Yin had the consciousness of"the unity of poetry and painting".By analyzing the relationship between poetry and painting of the Nvji mountain Paintings,this paper believes that Tang Yin completed the construction of the picture with the help of poetry and painting complementation in the process of painting creation,and enriched the image of the picture through the selection and application of poetic images and poetic characters.From the perspective of communication studies,Tang Yin,as a disseminator,although had the qualities of a literati painter,he also sold paintings for a living.As a result,his painting practices were hence professional."Paintings alongside inscribed poetry"contributed to the dissemination and acceptance of his paintings.The relationship between poetry and painting was unified by the wholehearted participation of the viewers in the process of acceptance.

关 键 词：唐寅 诗画关系 女几山图 《春游女几山图》 《山路松声图》 

分 类 号：I207.22[文学—中国文学] J212[艺术—美术]