中国古代戏剧中王安石形象的多维透视  

A Multidimensional Perspective on the Image of Wang Anshi in Ancient Chinese Drama

作　　者：张敏 ZHANG Min(College of Literature,Nanjing University of Information Science and Technology,Nanjing,Jiangsu 210044,China)

机构地区：[1]南京信息工程大学文学院,江苏南京210044

出　　处：《保定学院学报》2023年第5期76-84,共9页Journal of Baoding University

基　　金：江苏省研究生科研与实践创新计划项目“南京山水诗的文化品格及其当代价值”(KYCX22_1230)的阶段性成果。

摘　　要：宋元明清讲述王安石故事或含有角色“王安石”的相关戏剧有19部,保存完整的有8部,涵盖滑稽戏、杂剧、传奇多类剧种,相关剧目以戏份剪裁和并虚入实的手段组织出了颇具特色的荆公戏。荆公戏多采掇前朝史事,其戏剧敷衍模式大体上可以分为因史演事、剪裁嫁接、戏谑改编等。这些戏剧的情节设置和曲文安排使得王安石的复杂形象在朝堂、生活、学术等多个方面得到了展示,同时也反映了不同朝代戏剧在取材和立意上的差异性。荆公戏在王安石接受史上具有重要的认识价值,也是戏剧历史演变的一个侧影。There are 19 dramas in the Song,Yuan,Ming,and Qing dynasties that tell the story of Wang Anshi or contain the character"Wang Anshi".Among them,8 dramas are well preserved,including various genres such as comical dramas,miscellaneous dramas,and legendary dramas.The relevant dramas are organized by cutting scenes and incorporating virtual elements to create a distinctive Jinggong Drama.The Jinggong Drama is a collection of historical events from the previous dynasty,and its theatrical composition can be generally divided into several types:historical evolution,cutting and grafting,and joking adaptation.The plot setting and musical arrangement of these dramas have showcased Wang Anshi's complex image in various aspects such as court,life,and academia,while also reflecting the differences in material selection and conception of dramas from different dynasties.The Jinggong Drama has important cognitive value in Wang Anshi's reception history and is also a silhouette of the historical evolution of drama.

关 键 词：王安石 戏剧创作 人物形象 文学接受 

分 类 号：I207.3[文学—中国文学]