瀛海遗珠:新加坡华人陈之初藏中国近现代书画研究  

Lost Treasures:A Study of Modern Chinese Paintings and Calligraphy Works Stored in the Collection of Chen Zhichu

作　　者：刘康琳 Liu Kanglin

机构地区：[1]集美大学美术与设计学院,福建厦门361021

出　　处：《艺术探索》2023年第4期35-45,共11页Arts Exploration

基　　金：2020年度国家社会科学基金艺术学重大项目“中国近现代美术国际交流文献研究”(20ZD15)。

摘　　要：香雪庄主人陈之初是20世纪新加坡华人藏家,收藏了大量中国近现代书画作品,曾在东南亚声名远扬。这些旧藏如今不同程度地分布于新加坡、中国台湾等地区的公、私立博物馆,其中新加坡亚洲文明博物馆所藏质量最精。相关藏品呈现出对海派一脉的青睐,且任伯年作品数量最多。一方面,他与徐悲鸿的交往对其收藏审美影响很大;另一方面,特殊的历史机缘为其带来一定的收藏条件。其收藏规模的最终形成,归根结底来自其特殊的文化身份,以及对中国艺术的热爱和对中华文化的认同。Chen Zhichu(1911-1983),the owner of Xiangxue Zhuang,was a Singaporean Chinese collector,highly reputed in Southeast Asia,and who assembled an important number of modern Chinese paintings and calligraphy work.These works are now stored in public and private museums in Singapore,Chinese Taiwan,and other places.The finest works once acquired by Chen Zhichu are now to be found in the Asian Civilizations Museum in Singapore.Chen Zhichu’s collection displays his inclination towards the Shanghai School of painting—the largest body of works was by Ren Bonian.On the one hand,his interaction with Xu Beihong had a great influence on the aesthetics of his collection.Particular historical opportunities also create certain conditions for art collecting.The formation of the final scale of Chen Zhichu's collection comes from his special cultural identity as well as his love for Chinese art and recognition of Chinese culture.

关 键 词：新加坡 陈之初 近现代书画收藏 文化认同 中外美术交流 

分 类 号：J209.2[艺术—美术]