《铡美案》题材及声腔流变考论  

Research and Discussion on the Rheology of the Theme and Operatic Tune of the Zha Mei Case

作　　者：孙红瑀 Sun Hongyu

机构地区：[1]济南大学文学院,山东济南250022

出　　处：《艺术探索》2023年第4期109-114,共6页Arts Exploration

基　　金：2021年度国家社科基金后期资助项目“中西文化交融下的古剧生成研究”(21FZWB021);2018年度国家社科基金青年项目“明清梆子腔流变研究”(18CZW020);2020年度教育部人文社科青年基金项目“海内外藏晚清民国秦腔剧目叙录”(20YJCZH238)。

摘　　要：《赛琵琶》是梆子腔艺人在《百家公案》基础上,糅合《琵琶记》而成,剧中一改《百家公案》中陈世美贪图富贵为忘义、负心的双线结构。此剧流传至扬州后,逐渐演化为二簧腔,被焦循《花部农谭》著录。此剧流传至甘肃被改编为《铡美案》。此剧在京师地区演出时被皮黄吸收并带入内廷演出,该题材得到进一步的传播。Sai Pipa was composed by clapper opera artists based on the Anthology of Detective Stories,further combining it with The Story of the Pipa.The play changes the greed for wealth into a double-line structure of forgetfulness and the unfaithful heart of Chen Shimei in the Anthology of Detective Stories.After the play spread to Yangzhou,it gradually evolved into an erhuang tune,which was recorded by Jiao Xun in his Huabu Nongtan.In Gansu,based on this development,it was further adapted into the Zha Mei Case.The play was absorbed by Xipi-Erhuang and brought into the imperial palace to further promote the spread of the theme when it was performed in the capital.

关 键 词：《铡美案》 《赛琵琶》 陈世美 秦香莲 秦腔 

分 类 号：J825[艺术—戏剧戏曲] J617.5