表演理论视域下河州花儿的创作研究  

A Study on the Creation of Hezhou Hua'er from the Perspective of Performance Theory

作　　者：苏茜[1] 王冰燕 Su Qian;Wang Bingyan(Faculty of Chinese Languages and Literatures,Northwest Minzu University,Lanzhou 730030,China)

机构地区：[1]西北民族大学中国语言文学学部,甘肃兰州730030

出　　处：《西北民族大学学报（哲学社会科学版）》2023年第4期173-180,共8页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：西北民族大学引进人才科研项目“文学伦理学视角下的河州花儿研究”(项目编号:xbmuyjrc2023002);甘肃省社会科学规划项目“‘表演理论’视阈下的河州花儿研究”(项目编号:YB018)。

摘　　要：表演理论(Performance Theory)是近些年研究口头创作传统最活跃、最兴盛、影响最大的理论体系之一。其注重口头创作与表演语境之间的互动关系,注重在表演与交流中创作的即时性和创造性,这为研究河州花儿的创作传统开辟了一种新的理论方法和研究视野。河州花儿不仅是一种民间歌谣,也是一种民俗文化;不仅是个体表达情感的文学形式,也是个体情感注入文化活动中的表演事项。运用“表演理论”这一全新的研究思维和方法,将河州花儿作为“活”的艺术形态和一种表演艺术,对其表演文本的程式化与表演语境中的“表演”进行综合研究,以期揭开河州花儿独特的创作机制和创作范式。As one of the most active,prevalent and influential theoretical system of oral creation research in recent years,performance theory attaches importance to the interactive relationship between oral creation and performance contexts,the real time and creativity of creation in performance and interaction.And this has opened up a new theoretic method and research paradigm to study the creation tradition of Hezhou Hua'er.Hezhou Hua'er is not only a kind of folk ballads,but also a kind of folklore culture;it is not only a literary form for individuals to express their emotions,but also a performance matter to inject individual emotions into cultural activities.By using this brandnew research thinking and method of“performance theory”,we regard Hezhou Hua'er as a“living”artistic form and performance art,comprehensively study the formularization of performance texts and the“performance”in performance contexts so as to reveal the unique creation mechanism and paradigm of Hezhou Hua'er.

关 键 词：表演理论 口头程式 表演语境 表演文本 河州花儿 

分 类 号：G122[文化科学]