园由印生:齐白石篆刻艺术博物馆创作思考  

The Garden Born from Seal:Creative Design of Qi Baishi Seal Engraving Art Museum

作　　者：郭谦[1,2] 吝元杰 庄少庞[1] Guo Qian;Lin Yuanjie;Zhuang Shaopang

机构地区：[1]华南理工大学建筑学院 [2]华南理工大学历史环境保护与更新研究所 [3]华南理工大学建筑学院风景园林系 [4]广州市景观建筑重点实验室

出　　处：《古建园林技术》2023年第5期104-109,共6页Traditional Chinese Architecture and Gardens

摘　　要：基于印章、园林、山水三者艺术精神的共通性,以齐白石篆刻艺术博物馆为例尝试探讨当代园林建筑的设计可能。从白石先生“印从书出”的理念,推演“园由印生”之概念,进而通过“印化空间”的方法抽象建筑几何形式,同时结合山水精神的意境营造,最终达成博物馆内部居、游、行、望的林泉意趣。实践说明只有不拘泥于传统符号的束缚与定见,真正根植于中国文化观念的一致性,且彻底探究园林语言的本质逻辑,园林精神才可能更好地面向未来。Based on the common artistic spirit of seal,garden and Shanshui,this paper explores the possibility of contemporary landscape architecture design employing the case of Qi Baishi seal engraving art museum.According to Baishi's concept of“seal comes from book”,this paper deduces the idea of“garden is born from seal”.Then it abstracts the geometric form of the building through the method of“printing and engraving space”,and combines the artistic conception of Shanshui spirit,thus finally achieving the Linquan interest of living,touring,traveling,and observing in the museum.The design practice shows that only by breaking away from the shackles of traditional symbols,truly rooting in the consistency of Chinese cultural conceptions,and thoroughly exploring the real logic of garden language,can garden’s spirit continue to face the future.

关 键 词：园林建筑 印内营园 印章美学 园林意趣 山水精神 当代博物馆设计 

分 类 号：TU242.5[建筑科学—建筑设计及理论]