拉什迪小说的身体书写与后殖民现实  

Body Writing and Post-colonial Reality in Salman Rushdie's Novels

作　　者：刘春娴 LIU Chunxian(Graduate School,Xi'an International Studies University,Xi'an 710128,China;School of Foreigh Languages,Guangdong Medical University,Dongguan,Guangdong 523808,China)

机构地区：[1]西安外国语大学研究生院,西安710128 [2]广东医科大学外国语学院,广东东莞523808

出　　处：《重庆交通大学学报（社会科学版）》2023年第5期71-77,120,共8页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：广东医科大学青年科研培育基金项目“当代英语文学中的身体书写”(GDMUQ2022043)。

摘　　要：身体书写是萨尔曼·拉什迪小说的重要创作策略。作为后殖民文学大师的拉什迪受困于身体的不断移位和身份的反复错位,其文学书写展现一幅广袤的身体图景:混杂的身体、罹患疾病的身体、创伤的身体、规训的身体。身体书写体现了拉什迪的文本创作理念,折射出编码于文本的政治文化意识。拉什迪的小说借助身体的多层次呈现,反思后殖民印度社会的生存状态、政治疾患、民族创伤和文化殖民等现实问题,产生广阔的文本政治效应。Body writing is an important strategy in Salman Rushdie's novels.As the godfather of post-colonial literature,he is often trapped by the constant displacement of the body and the repeated dislocation of identity.His literary writing displays a great picture of the body,including the body of hybridity,the body with disease,traumatic body and disciplined body.The writing of body highlights his textual philosophy and encodes political and cultural ideology.With the multiple presentation of the body,Rushdie's novels show his introspection on the survival problems,political issues,national trauma and cultural colonization in the post-colonial India,and make some sort of deep sense of textual politics.

关 键 词：后殖民现实 拉什迪 身体书写 文本政治 

分 类 号：I106.4[文学—世界文学]