海昏侯刘贺墓编甬钟的音乐学研究  

A Musicological Study on the Yong Zhong from the Tomb of the Haihun Hou Liu He

作　　者：王清雷[1] 魏旭爽 张玲玲 徐长青 Wang Qinglei;Wei Xushuang;Zhang Lingling;Xu Changqing

机构地区：[1]中国艺术研究院音乐研究所,北京100029 [2]《中国音乐文物大系》总编辑部,北京100029 [3]江西省博物馆,江西南昌330200

出　　处：《南京艺术学院学报（音乐与表演版）》2023年第4期16-20,I0002,共6页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2018年国家社科基金艺术学项目“海昏侯刘贺墓出土乐器的音乐考古学研究”(项目编号:18BD058)阶段性研究成果。

摘　　要：本文首先对海昏侯刘贺墓所出11件甬钟的调音情况做了详细介绍,然后分析该墓乐器库所出10件甬钟的测音数据,结果显示无论其正鼓音音列还是正、侧鼓音音列均无规律可循。对于这套编甬钟(10件)的编列,学界亦有不同的认知。该文通过对这套编甬钟的纹饰、音列和铭文的考察,认为该墓乐器库所出10件编甬钟是由不同时期、不同纹饰、不同宫调、不同套组的甬钟临时拼凑而成的一套甬钟。This article first provides a detailed introduction to the tuning of 11 Yong Zhong bells unearthed from the tomb of the Haihun Hou Liu He,and then analyzes the sound measurement data of 10 Yong Zhong bells unearthed from the tomb's musical instrument library.The results show that there is no regular pattern in either the upright drum sound series or the upright and lateral drum sound series.There are also different understandings in the academic community regarding the arrangement of this set of Yong Zhong(10 pieces).This article examines the patterns,sound sequences,and inscriptions of this set of Bian Yong bells,and concludes that the 10 Bian Yong bells from the tomb's musical instrument library were temporarily assembled from different periods,patterns,tones,and sets of Yong Zhong.

关 键 词：海昏侯刘贺墓 编甬钟 音乐学 

分 类 号：K875.5[历史地理—考古学及博物馆学]