“开皇乐议”相关问题新论  

A New Discussion on the Related Issues of"Kai Huang Yue Yi"

作　　者：张孟蕊 Zhang Mengrui

机构地区：[1]澳门城市大学创新设计学院,中国澳门999078

出　　处：《南京艺术学院学报（音乐与表演版）》2023年第4期21-24,I0002,共5页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：隋文帝对雅乐需为“华夏正声”的强调,体现了其对于汉文化的主动接纳与认可,以及借此淡化和模糊隋朝统治者胡族身份的意图。开皇乐议中确立的“黄钟一宫”不仅满足隋文帝的政治文化需求,也符合隋文帝对雅乐作为“华夏正声”在音乐层面上不能杂用胡声的要求。此外,隋代多部伎中“国伎”改为“西凉”和“清乐”由乐部第二提升至第一位,也在无形中强调了华夏传统音乐的崇高地位。Taking"Kai Huang Yue Yi"as the research object,this paper believes that Emperor Wen of the Sui Dynasty emphasized the need for elegant music to be"the right voice of China",reflecting his active acceptance and recognition of the Han culture,as well as his intention to dilute and obscure the identity of the Hu nationality of the ruler of the Sui Dynasty.At the same time,through dialectics of relevant historical materials,it is pointed out that the"Huang Zhong Yi Gong"established in the Kai Huang Yue Yi not only met the political and cultural needs of Emperor Wen of Sui,but also met the requirements of Emperor Wen of Sui that elegant music,as the"Chinese orthodox voice",should not be mixed with Hu music.In addition,the Sui Dynasty changed the"Guo Ji"to"Xi Liang"and elevated the"Qing Yue"from second to first in the music department,which also indirectly emphasized the noble status of traditional Chinese music.

关 键 词：隋文帝 雅乐 华夏正声 黄钟一宫 

分 类 号：J609[艺术—音乐] J605