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作 者:田可文[1] Tian Kewen
机构地区:[1]武汉音乐学院,湖北武汉430060
出 处:《南京艺术学院学报(音乐与表演版)》2023年第4期204-210,I0003,共8页Journal of Nanjing Arts Institute:Music & Performance
摘 要:“图像”指塑像、肖像、圣像,也包含有图形程式的意义等,图像研究是诠释视觉化再现及其意义。而图像学是关于图像研究的一门学科,它意味着从解释学层次来理智地洞察图像研究的一切事项。音乐图像的研究可以弥补文字记载之不足,有助于了解乐器学、表演方式、音乐家生平和文化史等方面。中国音乐史研究与音乐图像学研究的结合,使音乐艺术在各特定时代、各地区文化活动成为生动的写照,透过音乐图像所表现的事项,有助直观地了解与认识某一时代、某一历史场景的政治文化背景和民俗生活风貌。因此,音乐图像学成果是中国音乐史研究之基础,且具有深远的、不可估计的意义。"Image"refers to statues,portraits,holy images,and also includes the meaning of graphic programs.Image research is to interpret visualization representation and its meaning.And iconology is a discipline about image research,which means to have a rational insight into all matters of image research from the level of hermeneutics.The study of music images can make up for the lack of written records,and help to understand musicology,performance methods,musicians'lives and cultural history.The article discusses the relationship between the study of the history of music of China and the study of music images.The combination of the study of the history of music of China and the study of music iconography makes music art a vivid portrayal of cultural activities in various specific times and regions.Through the matters represented by music images,it helps to intuitively understand the political and cultural background and folk life style of a certain era and historical scene.Therefore,the achievements of music iconology are the basis of the study of the history of music of China,and have far-reaching and inestimable significance.
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