敦煌宝相花纹样的多重艺术因素及其在家纺产品设计中的应用  

The multiple artistic factors of Dunhuang Baoxiang flower pattern and its application in home textile product design

作　　者：王蕴锦[1] 闫敏 WANG Yunjin;YAN Min(School of Fashion,Zhongyuan University of Technology,Zhengzhou 450007,China)

机构地区：[1]中原工学院服装学院,河南郑州450007

出　　处：《中原工学院学报》2023年第4期1-8,共8页Journal of Zhongyuan University of Technology

基　　金：河南省高等学校人文社会科学研究一般项目(2023-ZZJH-077);中原工学院教学改革研究与实践项目(2022ZGJGLX014);中原工学院研究生教育质量提升工程项目(JG202221);中原工学院优势学科实力提升计划资助项目(SD202225);中原工学院基本科研业务费专项资金项目(K2022YY028)。

摘　　要：敦煌宝相花纹样是隋唐时期最具特色的装饰纹样之一,它吸收了古印度、希腊、波斯、贵霜王朝的艺术元素,体现了东西方文化的相互借鉴与融合。论述了敦煌壁画宝相花纹样的起源和多重艺术因素,阐明了丝绸之路文化的传播对中国古代装饰纹样的影响。对敦煌宝相花纹样的造型特征、构图规律、色彩搭配进行了分析,总结出敦煌宝相花纹样的演变规律和时代特征。敦煌宝相花纹样因其富贵华丽、结构繁复的特点,在家纺产品设计中得到广泛应用,体现了中国传统装饰纹样的浪漫主义色彩和新中式美学风格。The Dunhuang Baoxiang flower pattern is one of the most distinctive decorative patterns in the Sui and Tang Dynasties.It absorbs the artistic elements of ancient India,Greece,Persia and Kushan empire,reflecting the mutual reference and integration of Eastern and Western cultures.This paper discusses the origin and multiple artistic factors of the Baoxiang flower pattern of Dunhuang murals,clarifies the influence of the cultural communication of the Silk Road on the ancient Chinese decorative patterns,and analyzes the styling features,composition rules and color matching of Dunhuang Baoxiang flower patterns.Then,it summarizes and the evolution rules and characteristics of the times of Dunhuang Baoxiang flower patterns.The Dunhuang Baoxiang flower patterns are widely used in home textile product design due to their luxurious and complex structure,reflecting the romantic color of traditional Chinese decorative patterns and new Chinese aesthetic style.

关 键 词：敦煌 宝相花纹样 多重艺术因素 家纺产品设计 

分 类 号：TS105.1[轻工技术与工程—纺织工程]