试论肌理语言对当代陶瓷绘画趋向的影响  

Experimentation on the Influence of Texture Language on the Trend of Contemporary Ceramic Painting

作　　者：李栋栋 牛靓洲 Li Dongdong;Niu Jingzhou(Jingdezhen Ceramic University,Jiangxi,Jingdezhen 333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2023年第10期192-194,共3页Ceramics

摘　　要：作为一种重要的艺术表现形式,陶瓷绘画的肌理语言从传统的陶瓷装饰中演绎生发而来,探寻于材料表现性和外延性的无限可能,并促使艺术创作者持续探索着不同媒介材料与陶瓷材料碰撞出的形式美感。陶瓷材料的特点之一在于材料本身的可塑性,因此,陶瓷材料在塑造肌理语言时有着极为宽阔的表现形式和丰富的潜能,使绘画表现形式与内容选择上趋向于抽象形式。As an important form of artistic expression,the texture language of ceramic painting is derived from traditional ceramic decoration,exploring the infinite possibilities of material expressiveness and extensibility,and prompting art creators to continuously explore the formal aesthetics of different media materials colliding with ceramic materials.One of the characteristics of ceramic materials lies in the plasticity of the material itself,therefore,ceramic materials have an extremely wide range of expression and rich potential in shaping the language of texture,making the choice of painting expression and content tend to abstract forms.

关 键 词：肌理语言 材料 陶瓷绘画 趋向 

分 类 号：TQ174.74[化学工程—陶瓷工业]