论敦煌遗书中的丑女形象及其审美意韵  

On the Image of Ugly Women in the Ancient Literature Works from Dunhuang and its Aesthetic Charm

作　　者：邓巧 DENG Qiao(School of Humanties,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海2002234

出　　处：《乐山师范学院学报》2023年第9期52-57,93,共7页Journal of Leshan Normal University

基　　金：国家社科基金重大项目“5~11世纪中国文学写本整理、编年与综合研究”(16ZDA175)。

摘　　要：敦煌遗书中有大量描写女性的作品,其中有许多生动的丑女形象。她们散见于赋、变文、白话诗、历史文书与佛教故事中,暂搜集写本20个。通过文本分析,这些丑女形象存在着“德貌俱丑”“身份殊同”“美丑互化”三个主要特点。敦煌独特的地域风貌使得这些写本中的丑女形象更接近下层民众的生活,有着多重审美意韵。这些丑女作品多是下层文人的戏谑之辞,具有娱乐性的同时也承担着教化作用,新奇幽默风格中蕴含着敦煌民众对真善美的追求。There are a large number of ancient literature works from Dunhuang depicting women,among which there are many vivid images of ugly women,scattered in the fu(a Chinese literary form combining elements of poetry and prose),Bianwen(a popular form of narrative literature flourishing in the Tang Dynasty),vernacular poetry,historical documents and Buddhist stories.Twenty written texts have been collected for the time being.There are three main characteristics of the ugly women,which are"ugliness in both appearance and morality","identity difference"and"transformation between beauty and ugliness".The unique regional features of Dunhuang make the images of ugly women in these texts closer to the lives of the lower classes,with multiple aesthetic charm.These works about ugly women are more of the jokes of the lower class literati,which are entertaining as well as enlightening,and the novel humor style contains the pursuit of truth,goodness and beauty of the Dunhuang people.

关 键 词：敦煌遗书 丑女形象 审美意韵 

分 类 号：I101[文学—世界文学]