中国五声调式小提琴作品常用左手演奏技巧与训练  

Frequently Employed Left-Hand Techniques and Training in Pentatonic Scale-Based Chinese Violin Works

作　　者：黎雨荷 Li Yuhe

机构地区：[1]中国音乐学院管弦系

出　　处：《中国音乐》2023年第5期136-140,共5页Chinese Music

摘　　要：五声调式是中国传统音乐的常用调式。对小提琴演奏者来说,从小多练习分属西方教育体系的教材,如卡尔弗莱什音阶、克莱采尔练习曲、顿特练习曲等,而缺少五声调式音阶相关的基础练习,从而导致演奏中国作品时,会遇到指法不顺手,音准不准确等问题。由此,本文着重讲述五声调式中国小提琴作品中常用的左手演奏技巧,并总结训练方法。The pentatonic scale holds a significant role in traditional Chinese music.However,violinists,having predominantly trained within the Western education system,including the Karl Fleisch scale,Kreutzer,and Dunt etudes,often lack practice on the pentatonic scale.Consequently,they encounter issues related to deficient fingering and inaccurate intonation when performing Chinese compositions.This article concentrates on exploring the left-hand playing techniques commonly employed in Chinese violin works based on the pentatonic scale,while also summarizing training methodologies to address these challenges.

关 键 词：五声调式 中国作品 小提琴演奏技巧 

分 类 号：J604.6[艺术—音乐]