探索喜马拉雅山的神圣音乐空间——中外民族音乐学不同研究视角的缘起  

Exploring the Sacred Musical Spaces of the Himalayas:The Origins of Diverse Research Perspectives in Ethnomusicology in China and Foreign Countries

作　　者：杨曦帆 Yang Xifan

机构地区：[1]大连大学

出　　处：《中国音乐》2023年第5期176-183,共8页Chinese Music

摘　　要：《环喜马拉雅山音乐文化研究》是一本专门研究喜马拉雅地区音乐文化的学术著作,由中外学者共同完成。著作对该区域不同国家、地区、民族的音乐事象与传统习俗、宗教、历史有细致描述,在共同的学术目标基础上,体现了中外学者不同的学术视角,以及对音乐事象不同的描述方式,对音乐与文化关系的不同理解。反映了民族音乐学理念、逻辑在不同文化语境中的学术差异,而关注不同学术视角的“缘起”可以让我们更好地理解学术成果的多样性与丰富性。"Research on the Musical Culture around the Himalayas" is an academic endeavor dedicated to the comprehensive study of the culture of the Himalayan region,collaboratively undertaken by Chinese and foreign scholars.This book provides meticulous descriptions of musical events,traditional customs,religions,and historical developments across various countries,regions,and ethnicities within the region.By pursuing a shared academic objective,the book illuminates the distinct perspectives of Chinese and foreign scholars,as well as their divergent approaches to delineating musical events and their understandings of the intricate relationship between music and culture.Moreover,it exemplifies the disparities in ethnomusicological concepts and logical frameworks within diverse cultural contexts.By focusing on the "origins" of these disparate academic perspectives,this research facilitates a deeper comprehension of the multifaceted nature and scholarly accomplishments within this field.

关 键 词：环喜马拉雅山音乐文化风格 差异 学术路径 中外民族音乐学理念 

分 类 号：J605[艺术—音乐]