浅谈辽宁鼓乐工尺谱——《辽宁鼓乐工尺谱集》序言  

An Exploration of the Liao Ning Drum Music Gongche Notation:Preface to The Collection of Liao Ning Drum Music Gongche Notation

作　　者：杨久盛[1] Yang Jiusheng

机构地区：[1]沈阳音乐学院

出　　处：《中国音乐》2023年第5期184-188,199,共6页Chinese Music

摘　　要：我国传统乐谱—工尺谱体现着中国人的乐谱观、音乐观。中国人认为,乐谱不是音乐,仅仅是唱奏者的一个“照头”,一个“框架”。只有唱奏者发出的声音,才是音乐,才能表达情感。因此,乐谱做一个“框架”足矣,不必过细地在上面做更多的标注。辽宁鼓乐工尺谱是艺人惯用的乐谱,濒临失传。它不仅保留大量传统乐曲,还保存了许多古老的音乐信息,如唐代“大曲”的结构痕迹,宋代的“曲破”以及“移宫换调”和“三镲一锣”的点板方法等,是珍贵的音乐文化遗产。Traditional Chinese music notation,known as Gongche notation,reflects the Chinese perspective on music scores and music itself.In Chinese culture,music scores are considered as a mere "framework" or a reference for performers rather than being music in its entirety.The emphasis is placed on the sounds produced by the performers,as they are regarded as the true expression of music and emotions.Therefore,it is sufficient for the notation to provide a basic framework without excessive annotations.The Liao Ning Drum Music Gongche notation,which is commonly used by artists,is on the verge of being lost.It not only preserves a vast repertoire of traditional musical compositions but also contains valuable ancient musical information.This includes traces of the structure of the Tang Dynasty's "Da Qu," the "Qu Po" of the Song Dynasty,the musical styles of the Yuan and Ming dynasties,and techniques such as "modulation" and "pointing boards" in conjunction with "three cymbals and one gong." The Liao Ning Drum Music Gongche notation serves as a precious musical cultural heritage,encompassing both traditional compositions and ancient musical practices.

关 键 词：乐谱观 框架 三镲一锣 宫调 订谱 

分 类 号：J625[艺术—音乐]