星际方舟:AIGC时代的影像未来学实验图景与路径  

StarArk: Experimental Picture and Path of Image Futurology in the Age of AIGC

作　　者：杨溟 刘宇 Yang Ming;Liu Yu

机构地区：[1]新华社媒体融合生产技术与系统国家重点实验室生物感知智能应用研究部 [2]新华网融媒体未来研究院 [3]天津传媒学院播音主持艺术学院

出　　处：《电影艺术》2023年第4期52-57,共6页Film Art

基　　金：国家社科基金艺术学重大课题“比较视野下中国科幻电影工业与美学研究”(项目编号:21ZD16)阶段性成果。

摘　　要：随着AIGC等新技术与社会间冲突加剧,由于早期预见不足而显现的种种弊端渐次爆发,而后期改变的代价往往极为昂贵——这使未来学研究显得尤为重要。以科幻电影为代表、实验手段为特征的影像未来学正成为未来学研究的分支,将形成较为系统的分析方法、研究边界、理论成果和评价标准。从影像未来学视角观察,“实验”既是模拟和预测未来的手段,也是连接艺术、社会与科学的方式。以影像为实验素材、以实验精神与面向未来的影像预览,共同拓展了未来学负载的价值。As the conflict between new technologies such as AIGC and society intensifies,a variety of drawbacks arising from lack of early foresight are gradually breaking out,and the cost of subsequent changes is often extremely high--making futurology research particularly important.Image futurology,represented by science fiction films and characterized by experimental means,is becoming a branch of future research that will form relatively complete and systematic methods of analysis,research boundaries,theoretical achievements and evaluation criteria.From the perspective of image futurology,“experiment”is both a means of simulating and predicting the future,and a way of connecting art,society and science.Using the image as the experimental material,the experimental spirit and future-oriented image preview jointly expand the value of futurology load.

关 键 词：影像 科幻电影 影像未来学 实验性 预见性 

分 类 号：J905[艺术—电影电视艺术]