《我爱你!》:中国老年题材电影的突破与审美价值创新  

Love Never Ends : Breakthrough and Aesthetic Value Innovation of Chinese Senile Theme Films

作　　者：陈亦水[1] Chen Yishui

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2023年第4期58-61,共4页Film Art

基　　金：中国文联文艺理论研究课题重点项目“新时代社会文艺崇高审美价值取向变迁研究”阶段性研究成果。

摘　　要：韩延导演的《我爱你!》聚焦老年题材,以外在的喜剧形式,在内容上突破了我国以往老年题材影片的创作模式,构建了老年主体叙述状态,展现对于老年群体关于病痛与阶层叙事的悲剧内核,最后抵达某种老年英雄主义与“老人—动物”的生成审美价值的终极追寻。尽管影片存在结构过于工整、浪漫主义过重等问题,但在业已步入深度老龄化社会的今天,影片在产业票房、艺术审美和文化价值表达等层面仍具有较为重要的参考价值。Director Han Yan’s new film Love Never Ends focuses on senile theme movies,in the form of external comedy,the content of which breaks through the previous mode of creation of elderly films in China,constructing the narrative state of the elderly subject,showing the tragic core of the narrative of illness and class for the elderly group,and finally arriving at some kind of elderly heroism and“elderly-animal”,the ultimate search for the becoming aesthetic value.Although the film has problems such as overly neat structure and excessive romanticism,it still has important reference value in terms of industrial box office,artistic aesthetics and cultural value expression in today's deeply aging society.

关 键 词：《我爱你!》 中国电影 老年题材 审美价值取向 新时代文艺 

分 类 号：J905[艺术—电影电视艺术]