中国电影的民族化进路与学派建构:电影物象与民族影像  

The Nationalization Approach and School Construction of Chinese Film:Film Object and National lmage

作　　者：王海洲[1] 马翱 Wang Haizhou;Ma Ao

机构地区：[1]北京电影学院 [2]北京电影学院中国电影文化研究院

出　　处：《电影艺术》2023年第5期9-17,共9页Film Art

基　　金：2020年度国家社科基金艺术学重大项目“中国艺术文化传统在当代中国电影中的价值传承与创新发展研究”(项目编号:20ZD18)阶段性研究成果。

摘　　要：物象是具有多重文化意涵的审美形象,由其派生的电影物象亦与诸多蕴涵优秀传统文化内涵的概念相联结,构建出富于民族性的电影影像。这主要体现在电影物像与电影影像建立联系的思维路径、电影叙事的历史钩沉、影像美学的“趣”之意涵。通过对思维路径、电影叙事和影像美学这三大方面的详细探究,廓清电影物象及其影像对于优秀传统文化的历史承继及民族性特质,为探讨中国电影的民族化进路与学派建构提供了新的思考面向。The object image is an aesthetic image with multiple cultural meanings,and the film object derived from it is also associated with many concepts with excellent traditional cultural connotations,and forms a kind of filmic image rich in national character.This is mainly reflected in the thought path of film image construction,the historical hook of film narration and the meaning of"interest"of image aesthetics.Through the detailed study of the three aspects of thought path,film narrative and image aesthetics,the paper carifies the historical inheritance and national characteristics of the flm object and its image to the excellent traditional culture,and provides a new thought aspect for the discussion of the national approach and school construction of Chinese film.

关 键 词：优秀传统文化 电影民族化 中国电影学派 电影物象 民族影像 

分 类 号：J905[艺术—电影电视艺术]