“想象力消费”理论建构的省思与属望  

Contemplation and Anticipation on the Theoretical Construction of"Imagination Consumption"

作　　者：陈旭光[1,2] 张明浩 Chen Xuguang;Zhang Minghao

机构地区：[1]北京大学艺术学院 [2]北京大学影视戏剧研究中心 [3]浙江大学传媒与国际文化学院

出　　处：《电影艺术》2023年第5期34-40,共7页Film Art

基　　金：国家重大招标课题“影视剧与游戏融合发展及审美趋势研究”(课题编号:18ZD13)阶段性成果。

摘　　要：想象力消费理论是构建“中国学派”“中国话语”的一次努力与尝试,是针对理论“阐释危机”的范式创新和理论突围。想象力消费理论建构秉承知行合一、经世致用的学术理念,坚守务实精神和实践理性原则,不仅为幻想类电影批评实践提供理论视域、观念引领与方法论,还聚焦互联网时代的青少年文化,力图在大众文化、青年文化等领域达成一种“新启蒙”价值传达。想象力消费理论要在争鸣探讨、批评实践和关注现实实践、重视中外理论资源中“接着讲”。The theory of imagination consumption is an effort and attempt to construct the"Chinese School"and"Chinese Discourse",and it is a paradigm innovation and theoretical breakthrough of the"Interpretation Crisis"theory.The theoretical construction of Imagination Consumption adheres to the academic ideas of the alignment of knowledge and action,and the practical application of theories.It also adheres to the pragmatic spirit and practical rationality principles.It not only provides theoretical sight,concept guidance and methodology for the fantasy film criticism practice,but also focuses on youth culture in the Internet era,trying to achieve a"new enlightenment"value delivery among fields including popular culture and youth culture.The theory of Imagination Consumption should be discussed continuously in debate and discussion,the practice of criticism,attention to actual practice,and emphasis on Chinese and foreign theoretical resources.

关 键 词：想象力消费 理论建构 中国学派 启蒙思想 未来愿景 

分 类 号：J905[艺术—电影电视艺术]