中国式现代化的电影理性与视觉建构  

Film Rationality and Visual Construction of Chinese Path to Modernization

作　　者：李国聪 饶曙光 Li Guocong;Rao Shuguang

机构地区：[1]山东师范大学新闻与传媒学院 [2]中国电影评论学会

出　　处：《电影艺术》2023年第5期41-48,共8页Film Art

基　　金：国家社科基金艺术学重大项目“中国特色电影知识体系研究”(批准号:22ZD10)的阶段性成果。

摘　　要：“中国式现代化”思想作为我国文艺创作的理论资源,既为国产电影表达“中国话语”提供了明朗的精神引领,也为中国电影学派建构明确了主导的价值取向。当前明确认识和把握中国电影所处的历史方位,践行以文化自信为主调的影像意义生产与话语建构,推进电影理性的多元表达与有效传播,才能深入了解中国式现代化进程中所需要的电影现代性经验及话语方式,使其发挥更高价值及引领作用,这是推进中国电影守正创新亟待回应和解决的现实课题。As the theoretical resource of literary and artistic creation,the thought of"Chinese path to modernization"not only provides a clear spiritual guidance for domestic films to express the"Chinese discourse",but also clarifies the dominant value orientation for the construction of Chinese film school.At present,only by clearly understanding and grasping the historical position of Chinese films,practicing the production of image meaning and discourse construction with cultural self-confidence as the main theme,and promoting the diversified expression and effective dissemination of film rationality,can we deeply understand the experience and discourse mode of film modernity required in the process of Chinese path to modernization,so that it can play a higher value and leading role.This is a realistic topic that urgently needs to be answered and solved to promotethe innovationof Chinesefilms.

关 键 词：中国式现代化 电影理性 类型融合 文化自觉 媒介镜像 

分 类 号：J905[艺术—电影电视艺术]